Professor Dolan joined the UC Davis faculty as Professor of English in 2003. Before coming to Davis, she taught at Miami University, as well as the University of Chicago and Columbia University. Her teaching and research focus on early modern English literature, law, and history (1500-1700), although she is increasingly interested in how that particular past bears on the present. She also teaches and writes on Children's Literature.
Dolan has held fellowships from the John Simon Guggenheim Memorial Foundation, the National Endowment for the Humanities (at the Newberry Library and the Folger Library), and the Monticello College Foundation. Most recently, she was the Fletcher Jones Foundation Distinguished Fellow at the Huntington Library. In 2004-5, she served as the President of the Shakespeare Association of America. At Davis, she has been named an Outstanding Graduate Mentor, a Herbert A. Young Society Deans' Fellow, and the recipient of an Academic Senate Distinguished Undergraduate Teaching Award.
She is currently working on a book project tentatively entitled Time and Terroir: A Northern California Renaissance, an inquiry into what difference it makes to study sixteenth- and seventeenth-century England from the vantage point of twenty-first century Northern California. The book is organized around dialogues across time and space on the topics of bees, composting and soil amendment, biodynamic viticulture, and "local" or "slow" food. It asks whether history has anything to teach "hands on" practitioners today, and, if so, what form this "history" takes.
Publication SpotlightTrue Relations: Reading, Literature, and Evidence in Seventeenth-Century England.
Philadelphia: University of Pennsylvania Press, 2013.
Winner of the 2014 John Ben Snow prize from the North American Conference on British Studies.
"This is a richly provocative book packed with stimulating insights, a work from which every early modernist can learn. Dolan's subject is as much the methodology of historians as it is the mentalities of historical subjects. She is a reassuring guide to issues that have vexed historians for the last thirty years . . ."—Malcolm Gaskill, American Historical Review
"At a time when the value of literature--and literary analysis--is a matter of public debate, True Relations is a carefully constructed and ultimately persuasive argument for the importance of literary critical methods."—Paula McQuade, Modern Philology
"True Relations has elements of the manifesto, as well as manifest delight in relational interpretive practices. It deserves to be read by everyone working on early modern England."—David Cressy, Journal of British Studies
"Dolan is offering new agendas rather than solutions. She constantly turns to the question that if a text is to be regarded as 'evidence' what exactly is it evidence of? Her insights amount to a major contribution to early modern studies and deserve widespread consideration."—James Sharpe, Times Literary Supplement
"True Relations is the kind of book that will make all its readers reflect on their own methods and responsibilities as practitioners of academic disciplines."—Rebecca Bullard, Review of English Studies
Marriage and Violence: The Early Modern Legacy. Philadelphia: University of Pennsylvania Press, 2008.
- "a brilliant and challenging comparison of contemporary domestic violence and its early modern legacy" (Journal of Women's History)
- “bold and original” (Journal of British Studies)
- “marvelously polemical” (English Historical Review)
- “challenging and provocative” (American Historical Review)
"Oh, how the quality of debate on same-sex
marriage would improve if activists on the subject, candidates, and officials
sat down to read it! Maybe it can be tossed out, like a bouquet, anywhere such
players meet” (Chronicle of Higher Education)
- Twelfth Night: Language and Writing. London: Bloomsbury Publishing, 2014.
- “Introduction” to New Mermaid reprinting of Thomas Heywood’s A Woman Killed with Kindness, edited by Brian Scobie. Bloomsbury/A & C Black, 2012.
Catholic Culture in Early Modern England, co-edited with Ron Corthell, Christopher Highley, and Arthur Marotti. South Bend, IN: University of Notre Dame Press, 2007.
Whores of Babylon: Catholicism, Gender, and Seventeenth-Century Print Culture. Ithaca: Cornell University Press, 1999; paperback edition from University of Notre Dame Press, 2005.
Five plays for the New Pelican Shakespeare (As You Like It, Timon of Athens, Comedy of Errors, Richard II, and Winter's Tale)
The Taming of the Shrew: Texts and Contexts. Boston: Bedford Books, 1996.
Dangerous Familiars: Representations of Domestic Crime in England, 1550-1700. Ithaca: Cornell University Press, 1994.
“Scattered Remains and Paper Bodies: Margaret Cavendish and the Siege of Colchester,” Special Issue on “Pre-Modern Flesh” edited by Holly Crocker and Kathryn Schwarz, postmedieval 4.4 (2013): 452-464.
“Mastery at Misselthwaite Manor: Taming the Shrews in The Secret Garden,” Children’s Literature 41 (2013): 204-24.
“One Head Is Better than Two: The Aphoristic Afterlife of Renaissance Tragic Plots,” Laureations: Essays in Memory of Richard Helgerson, ed. Roze Hentschell and Kathy Lavezzo (Delaware: University of Delaware Press, 2012), 91-110.
“Shakespeare and Marriage: An Open Question,” Literature Compass: Shakespeare 8.9 (2011): 620-634.
“Re-reading Rape in The Changeling,” Journal for Early Modern Cultural Studies 11.1 (Spring/Summer, 2011), 1-26.
“‘Can this be certain?’: The Duchess of Malfi’s Secrets,” The Duchess of Malfi: A Critical Guide, ed. Christina Luckyj (London: Continuum/Bloomsbury, 2011), 119-135.
“Tracking the Petty Traitor across Genres,” Ballads and Broadsides in Britain, 1500-1800, ed. Patricia Fumerton and Anita Guerrini (Burlington, VT: Ashgate Press, 2010), 149-171.
“Why Are Nuns Funny?” Huntington Library Quarterly 70.4 (December 2007): 1-26.
“Hermione’s Ghost: Catholicism, the Feminine, and the Undead in Early Modern Studies,” The
Impact of Feminism in English Renaissance Studies, ed. Dympna Callaghan (Palgrave, 2007), 213-237.
“Gender and Sexuality in Early Modern England,” in Gender, Power, Privilege in Early Modern Europe, ed. Penny Richards and Jessica Munns (London: Pearson/Longman, 2003), 7-20.
“Battered Women, Petty Traitors, and the Legacy of Coverture,” Feminist Studies 29.2 (Summer, 2003): 249-277.
“Reading, Work, and Catholic Women’s Biographies,” English Literary Renaissance 33.3(Autumn 2003): 328-57.
“Gender and the ‘Lost’ Spaces of Catholicism,” Journal of Interdisciplinary History, 32.4 (Spring, 2002): 641-665.
“Reading, Writing, and Other Crimes,” in Feminist Readings of Early Modern Culture: Emerging Subjects, ed. Valerie Traub, M. Lindsay Kaplan, and Dympna Callaghan (Cambridge: Cambridge University Press, 1996), 142-67.
“‘Gentlemen, I have one thing more to say’: Women on scaffolds in England, 1563-1680,”
Modern Philology 92.2 (1994): 157-78.
“‘Taking the pencil out of God's hand’: Art, Nature, and the Face-painting Debate in Early Modern England,” PMLA 108.2 (1993): 224-39.
“The subordinate('s) plot: Petty treason and the forms of domestic rebellion,” Shakespeare Quarterly, 43.3 (1992): 317-40.
Education & Interests:
- Ph.D.The University of Chicago, 1988; B.A. Loyola University, 1982.