Skip to main content
Department of English
Search
Log in
Navigation
About
Current Office Hours
Diversity Resources
English Library
Faculty Statement Archives
Internal Dept Resources
Medieval and Early Modern Studies
University Writing Program
Video Guides & Worksheets
Visit us on Facebook
Major/Minor in English
Advising
Creative Writing Application
Honors Program
Internships
Literary Magazines
Major Requirements Guide & FAQ
Minor Requirements
Study Abroad
Why Major in English?
MFA in Creative Writing
Admissions
Events, Prizes, and Resources
MFA Program Faculty
Newly Admitted Grad Students
Resources
Ph.D. in Literature
About
Admissions
Newly Admitted Grad Students
PhD Alumni Directory
Resources
Courses & Schedules
People
News & Events
Off the Syllabus Podcast
Recent News
Contests
Contest Winners
Previous Contest Winners
Newsletters
You are here
Home
»
Courses & Schedules
English 287 - Fall, 2014
Topics in Literature & Media
Class Information
Instructor:
Simmon, Scott
CRN:
63841
Time:
W 2:10-5; 6:10-9:00
Location:
120 Voorhies
Focus:
Genre, Interdiscipline, Method
Description
“Melodrama, Modernism, Modernity, and the Movies: 1890-1950”
In this seminar we will explore the first half-century of American filmmaking, silent and early sound, alongside a survey of the most vital criticism and theory about the period. Our particular focus will be on the intersection of film melodrama--especially the mode’s expression through female characters--with the social upheavals of early twentieth-century modernity.
Although background in film study would be useful, this English graduate course will not assume or require previous study in film. Grounding in American culture and literature of the early twentieth century will be more essential. In addition to our subject focus, the course will incorporate two more general goals: an introduction to advanced film study and an introduction to ways of teaching film for students of literature interested in expanding their classroom range.
We will read in the six works of criticism listed below (omitting some chapters), but our primary “texts” will be the films themselves--and excerpts from longer films--most of which we will see together in the extended evening seminar hours. Please note that in addition to the regular seminar hours on Wednesday afternoons, there are additional screening hours each Wednesday evening, after a dinner break (although typically we won’t go the full three scheduled hours in the evening).
Grading
Short weekly reading responses, film presentations, illustrated lecture, seminar paper.
Texts
Pursuits of Happiness: The Hollywood Comedy of Remarriage
, Stanley Cavell
Film Noir and the Spaces of Modernity
, Edward Dimendberg
Babel and Babylon: Spectatorship in American Silent Film
, Miriam Hansen
The Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942
, Lea Jacobs
Melodrama and Modernity: Early Sensational Cinema and Its Contexts
, Ben Singer
Migrating to the Movies: Cinema and Black Urban Modernity
, Jacqueline Najuma Stewart